Zen…

A good story is one written with the intention to capture the mind of the reader, influence his or her thoughts and hopefully impart a positive change in them.

If a story doesn’t get your readers talking about their favorite characters, parts of the story which they resonated most with or whatever it is your characters did to gain the readers’ attention… it’s probably not good enough.

Readers remember what moves them.

Remember the saying “you may forget what I said or did, but you won’t forget how I made you feel” In the case of a good writer’s story; your readers may forget the storyline, the plot, the beginning or the end… they won’t forget how your story or your characters made them feel. How well your characters played their roles and how much impact those roles made on the readers.

Speaking of compelling characters, the death of one or two of them pending on the structure of the story will kick your readers right in their guts. And if written well, it’ll wreck them totally.

Show us a lot about the character before he dies off:

The readers should be very much connected to that character you want to kill off. The character should have plenty of scenes showing; his daily lifestyle, what he’d always wanted to become, his dreams, every hard step he’s taking to achieve a particular goal.

Let him die half way through the journey:

Not at the end of the story but at the moment when he’s death will leave a whole in the story. He should die when things are about to work out for him. Let’s say Michael is in his final year in school, he’d become a medical doctor in a matter of months, then he dies in a hit and run car accident few days after his final exams.

Just like that (and this Michael has to be someone the readers love so much, probably because he’s so hardworking and grew from a poor background…)

The dead character should have a goal so big they are not able to finish it and death came.

Let him or her die in the middle of the story when he’s about to change for the better: The prodigal grandson who supposedly have a bright future decides to change and boom, a mishap occurs and he dies. Or a daughter who doesn’t believe in love but later on decided to settle for the sake of pleasing her parents, then she dies in the hand of a “woman beater”of a husband who had given her nothing but problems in their marriage.

Let his trusted friend or lover (who he least expected or underestimated) betray him:

A lover who would do anything for wealth or money, a friend who would kill for power all in the name of “it’s just business nothing personal”

Other characters should miss him:

Their grief over his absence should affect them totally.

He should die at a time when there isn’t even enough space to mourn him properly.

Give your readers more info about the dead character : something if had been discovered, the character would still be breathing.

Cause a conflict or a disagreement or an argument between the dead character and another character close to him before he dies: Should be good enough to make your readers wish the argument didn’t happen.

Something the other character in your story will probably blame himself for and wish he could go back in time.

Let the remaining cast face challenges that could have been easily resolved if the dead character was there: if he was alive, their company would not have gone bankrupt, he’s good with communication and he knows the right people for the right tasks.

Don’t kill everyone important just one or two useful characters and do it sparingly. It’ll jerk tears and shatter hearts more than what a blood bath will do.

Reveal through your POV the important info about the dead character to your readers: what the other characters doesn’t know, an info your readers wish the other characters would have used to prevent his death.

Showing us the dead character knew he’d die and not the others before he actually dies, will hurt the readers.

Make the character’s death be in vain: He happened to be a collateral damage to a cause, whatever the option, it should be a case of a cruel casualty not a heroic death. “When I shot Louis, I wanted you to see how it’d be, if you decide to disobey or betray me again.”

Writing is all about experimenting. Try other methods but keep it far from a perfect ending. If you’ve got plenty of options, go for the most emotional.

Readers won’t forget the character who made them laugh when the story scenes depicted sadness and despair or the one who always got the job done when everyone seemed stuck, the one who always supported the main character and gave him hope in his quest. The one who would have made the best partner to the main character’s adventures.

More lessons are learnt from tears and broken hearts than from cool happy endings.